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Ernie Colón: July 13, 1931 – August 8, 2019

Ernie Colón: July 13, 1931 - August 8, 2019

August 8, 2019 Ernie Colón died on the age of 88. He had been preventing most cancers for a yr. He was surrounded by relations at the time of his demise. Colón seemingly did every thing in his greater than 60-year career as a cartoonist and journalist, marked by his professionalism and unimaginable versatility. She labored in nearly each genre, including fantasy (she created The Gemworld Princess with Amethyst, Dan Mishkin and Gary Cohn's writing staff); sword and witchcraft (Arak, son of Thunder, co-authored with writer Roy Thomas); horror (Creepy, Eerie, Vampirella, Macabre's bizarre stories); science fiction (Ax and Medusa chain graphic novels) TV and movie modifications Droids, Bullwinkle and Rocky and Battlestar Galactica; erotica (tape search); superhero titles like Dr. Solar, Man of the Atom, Tiger-Man, Injury Management (co-created with Dwayne McDuffie) and The Grim Ghost. At occasions, he even ventured on syndicated newspaper lists, briefly challenging Star Hawks' Gil Kane and dealing with Alfredo Alcala on Star Trek. From 2005, he pulled Spycat on The Weekly World Information until the publication closed down in 2007. Colón even worked digitally to create Doodle movies for Komikwerks. Later in his profession, he combined with documentary-fashion graphic novels similar to The 9/11 Report: A Graphic Adaptation (2006), September 11, After: The American Warfare on Terror, The Warren Fee Report: A Graphic Research of the Kennedy Homicide. , and Torture Report: Graphic Adaptation and A part of The Nice American Documents. 1: 1620-1830 (co-authored with writer and historian Ruth Ashby). He additionally drew graphic biographies of Anne Frank and Vlad Impaler.

About "Sleep Walkers" in Richie Wealthy Riches # 2 (September 1972), in an interview with Harvey Comics Classics Volume 2, Colón stated he was writing and drawing.

Regardless of the breadth of Colón's profession – not solely was he a prolific cartoonist, however he was also a sculptor, painter, editor, and writer – he’s in all probability greatest recognized for his humorous comics, drawn for years by writer Harvey. He portrayed the adventures of Richie Rich, Casper the Pleasant Ghost, Spooky, Scorching Stuff, Little Devil, Wendy the Good Little Witch, Little Dot, Jackie Joker and the like. Born Ernesto Colón in Sierra de Cordobes y Lopez, Puerto Rico, he’s recognized to American cartoon followers as Ernie Colón. In an interview quoted on The Every day Cartoonist, Colón explained: “My identify is Ernest Colón Sierra. Sierra is my mother's maiden identify. In Spain, a lady doesn’t lose her identify when a toddler is born. Nevertheless it's not my last identify – it's Colón. So to keep away from confusion, I dropped the Sierra. That long identify – it was a joke that has followed me for years. Cordobes is the identify of Grandma [sic] and Lopez is my father. “Colón spent the primary ten years of his life in Puerto Rico, and then his family moved to america and settled in Brooklyn. He began drawing on the age of 6 and all the time needed to be a comic ebook artist. He was the only boy; he had eight sisters.

Rising up in her art, heroes have been Milton Caniff and later Will Eisner. In an interview with French magazine Scarce # 77, Colón stated: “I have never enjoyed a superhero – except for early captain Marvel. That character had a sense of humor, and he didn't take himself as seriously as any other laughable, raging product from DC and Marvel. “At a young age, Colón copied his favorite artists and composed his own illustrations. As he noted in an interview with Scarce, “I loved drawing battlefields – especially those in the air. When I started drawing, planes were still mostly doubled from WWI. And, of course, I drew gangsters that I have seen in the movies. ”

From Chuck Dixon's" Hushed Battle of Battle "for Airboy # 46 (January 1989).

He educated on the Faculty of Faculty for Industrial Art, later often known as the College of Art and Design. His main research have been in illustration and cartoon. He started his skilled cartoon profession in 1955 as an assistant to Joe Palooka within the hoaxless Ham Fisher, coloring the background for the veteran quarterback. Sadly, Fisher dedicated suicide inside a month of hiring Colón, who needed to search for other jobs. Around 1961, he noticed an ad in The New York Occasions; Harvey Comics was on the lookout for a renter. Colón admitted to being the "worst recorder in the business" – and when publisher Leon Harvey reviewed Colón's work someday, he advised him, "You're not a tenant." A crushed, young Colón headed for the exit when Harvey's spouse, Vicky, stopped her and heard on her husband's behalf. Harvey transferred Colón to the Attachment Division. For a yr, he worked daily, drawing Harvey indicators at night time. Ultimately, Colón was hired as a freelancer. He worked at Harvey for 25 years, drawing principally Casper and Richie Wealthy (indefinite). There he was guided by the esteemed Warren Kremer. It was in Harvey that he met editor-in-chief Sid Jacobson, with whom he continued to work with in the future.

The primary guide to publish his identify appeared on the Whamm O Big Comics (1967) twin search engine. beneath the title "The Kaleidoscope of Fear." (Although he had, in fact, been working for a comic e-book company for a number of years, by an unspoken pen for Harvey Comics.) In 1968, he additionally briefly worked at Gold Most Necessary, drawing a number of numbers from Dr. Photo voltaic.

Twenty-5 years would have been a whole career for most people – but not for Colón, who needed to start out a extra real looking job. Harvey Comics went bankrupt in 1982 and was bought by Jeffrey Montgomery, who tried to proceed the Harvey line with re-enactments after which new materials – until he additionally threw within the towel in 1994. Colón later labored on Harvey titles corresponding to Ultraman and Monster in My Pocket. to Marvel and different corporations.

Written by Barbara Gelman on Creepy # 29 Summer time Middle.

After an extended delusion, Harvey, Colón modified gears. Although he needed to work in humor, he felt that he had develop into routine. He began writing horror tales on the Warren magazine line, especially Vampirella. After Warren, Colón switched to a brand new / brief-lived publisher Atlas / Seaboard in 1975, where he created and filmed three Grim Ghost editions with Specter writer Michael Fleischer. With John Albano, he made his debut within the first challenge of the superhero character Tiger-Man in the thrilling black and white journey story. He then drew the first challenge of the colour comedian, which Steve Ditko and Alan Milgrom assumed have been inventive tasks. He additionally participated in the Macabre Weird Tales of Macabre, an Atlas / Seaboard attempt to copy the success of Warren's horror magazines. In addition to his cartoon art, Colón appears to be the house artist in the commercials for Atlas / Seaboard and has portrayed virtually every character in his secure. His slick, fluid drawing and skill to regulate totally different types made him the right artist for the job. Colón needed to work for Atlas / Seaboard, where he was paid extraordinarily high salaries and was treated with respect by Jeff Rovin, a younger journalist on the line – whom he’ll work with years later, in the Cat Angels, a poetry guide by Colón.

Amethyst, Princess Gemworld # 10 (February 1984).

Following the disappearance of the Atlas / Seaboard line, Colón moved to DC, the place he enjoyed long positions as each an artist and a journalist. Colón especially enjoyed working together with his Amethyst, Princess Gemworld, Dan Mishkin and Gary Cohn. He returned interest later in the yr, saying it was "one of the best DC series that DC has ever produced." Colón overturned miniseries similar to Cosmic Boy, Legionnaires and Underworld, as well as a lot of titles including the Atari Pressure. , The Blue Devil, Firestorm Annual Report 2, The Outsiders, Scooby-Doo, The Thriller Home, The Sudden, Unusual Warfare, And Even The Romance Cartoon, Young Love. His tenure in DC stretched across the 1980s, and he edited Marvel Lady, The Flash, Arion, Atlantis Lord and Green Lantern. He handled all the paintings for DC's third nonfiction graphic novel, The Medusa Chain. Although he later complained that coloring the Medusa chain art made him "sick on days," he stated, "I was given complete freedom. No interference. It was an amazing expertise. An exquisite dream with out interruption. ”

The Medusa Chain.

Colón previously had two Marvel roles: Battlestar Galactica, 1979, concurrently the original ABC TV collection (he disliked working in Galactica as a result of the studio refused to offer reference footage; he referred to as it the worst experience in cartoons); and his works appeared in the first two issues of Epic Illustrated in 1980. But in the direction of the top of the 1980s, Colón also began working for Marvel. For Marvel, he made considered one of his few creator-owned tasks, the Ax graphic novel. On this publishing company, Colón's most important declare to fame was co-operation with Dwayne McDuffy, a writer of claims, though he additionally wrote five issues of John Carter, the chief of Mars. He made only one or two issues of most titles he labored on, resembling Pink Sonja, Nightmask, Doom 2099 and others. Working on Marvel's Star line additionally related him with Sid Jacobson and marked the return of the humorous fashion he had in Harvey films beneath titles similar to Bullwinkle and Rocky, Mighty Mouse, Droids and The Flintstone Youngsters.

After Marvel, Colón. labored for Valiant Comics on many Magnus, Robot Fighter issues, and even one challenge of Dr. Photo voltaic, Atom Man. The last a part of Colón's profession started with documentary-sort graphic novels and I found him working together with his previous good friend Sid Jacobson.

The 9/11 Report: A Graphic Adaptation. an ideal craftsman for followers and professionals alike, and nicely-favored by his peers. Former DC Comics president Paul Levitz stated he was "a wonderfully talented artist with whom I had the pleasure of working in DC during my relatively short career sitting at the reporter's desk." Colleague Walt Simonson reminded him this manner: in any room he walked into. ”